NOBODY UNDERSTANDS ANYTHING
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6560d6e13bbc01af9b7bb8b0_1.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/65775984c629ecc25913866d_Nadie_TB_2.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/657759851e918f45fde30da2_Nadie_TB_3.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/65775986c980a3da5315ae29_Nadie_TB_5.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6577598ecfa7d50de1fc8d6d_Nadie_TB_4.jpg)
"Nobody understands anything" is a handmade artist's book that collects a series of lithographs created between 2015 and 2017.
Book Format_ Open_ 32x32cm Per page_ 16x32cm
Techniques_ Aluminum lithography Screen printing
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6578ab8aac3ca1b000ae34a4_DOC002.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6578ab8b64fd816bd61ca2ef_DOC003.jpg)
The project stems from my fascination with 19th-century scientific illustration books, and throughout its pages, I reimagine plant and cellular forms, similar to what we can find in nature but entirely invented.
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6578ab8bf17d148d78d5792c_DOC004.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6578ab8b13e409c08934bc30_DOC005.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6578b1715c4dbf88ed472e37_01.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6578b179f93c13def444b438_02.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6578b179ac70aba28fc8da46_03.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6578b179b0b29c19631006c4_04.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6578ab8bd509257cb77a4912_DOC006.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6578ab8b6b6d30e04d32f28e_DOC007.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6578b515f29a7e2ef760e010_sketch4.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6578b5167e775bba4c6475f5_sketch3.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6578b51658bca7dceac54912_sketch2.jpg)
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6578b51666b14c222c3c79fc_sketch1.jpg)
Before grouping them into chapters to form the book, I spent some time just doodling around.
![](https://assets-global.website-files.com/65423185f9291404fb28cee4/6578ab8b445f1b8fe66289b0_DOC008.jpg)
For the screen-printed texts and footnotes that accompany the illustrations, I designed two alphabets that make reading impossible, in the style of the Voynich manuscript, another of my great influences. This way, I strip them of their functional use, focusing attention on the purely aesthetic aspect of layout.
For the screen-printed texts and footnotes that accompany the illustrations, I designed two alphabets that make reading impossible, in the style of the Voynich manuscript, another of my great influences. This way, I strip them of their functional use, focusing attention on the purely aesthetic aspect of layout.