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Collaborative art project with the Complexity Science Hub in Vienna for the international network science conference, NetSci.

Data_Physics (reproductor)

50x70cm
Digital printing on japanese paper, chine-collé, linocut.
Based on the work of Samuel Martín Gutiérrez
Multipolar social systems: Measuring polarization beyond dichotomous contexts
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Data_stratification

50x70cm
Linocut with lost plate, four plates
Based on the work of Marta Sales-Pardo
Socially disruptive periods and topics from information-theoretical analysis of judicial decisions
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The project’s proposal was to investigate some publications from each of the seven keynote speakers, aesthetically analyze the graphics and images from their most recent papers, and create a series of prints based on them.

Data_Terrain

50x70cm
Etching on zinc plate, linocut, one-color screen printing
Based on the work of Mirta Galesic
Beyond collective intelligence: Collective adaptation
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Data_maze

50x70cm
Two-color screen printing
Based on the work of Shlomo Havlin
Percolation theory
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Data_mountains

50x70cm
Two-color screen printing, linocut (two plates)
Based on the work of Kathleen M. Carley
A combined synchronization index for evaluating collective action social media
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Gender dynamics on Twitter during the 2020 U.S. Democratic presidential primary
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Data_shrine

50x70cm
One-color screen printing
Based on the work of Renaud Lambiotte
Strong, weak or no balance? Testing structural hypotheses in real heterogeneous networks
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Data_root

50x70cm
Linocut, two-color screen printing
Based on the work of Natasa Przulj
A multi-omics integrative approach unravels novel genes and pathways associated with senescence escape after targeted therapy in NRAS mutant melanoma
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Data_notation

50x70cm
Two-color screen printing
Based on the work of Vito Latora
Complex Networks: Structure and Dynamics
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Explosive cooperation in social dilemmas on higher-order networks
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Higher-order correlations reveal complex memory in temporal hypergraphs
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Before grouping them into chapters to form the book, I filled the pages of my sketchbook with sketches, some of which I show here.

For the screen-printed texts and footnotes that accompany the illustrations, I designed two alphabets that make reading impossible, in the style of the Voynich manuscript, another of my great influences. This way, I strip them of their functional use, focusing attention on the purely aesthetic aspect of layout.